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'Using Canon Log really improved the way I work,' he says. Ivan started using Canon Log in the Canon EOS C100, then in a variety of Cinema EOS cameras. 'I always prefer Canon, as I feel the colours are really painterly,' he says. I prefer to find the truth of how I see things and not how they 'should' look.' He has shot with Canon since the start of his career, beginning with a Canon XH A1 camcorder, then a Canon EOS 5D Mark II (now succeeded by the EOS 5D Mark IV). With a background as a painter himself, Ivan describes himself as 'more like a macchiaiolo – one of the Italian impressionist painters. It should reflect the beauty of nature through someone's vision, as a painter does.' 'I want to create something that looks familiar and natural, but at the same time it shouldn't be just a perfect representation of nature. 'In a graded image, I look for my own interpretation of reality,' says Italian cinematographer Ivan D'Antonio. This makes it possible to produce a stylish, cinematic look that can become the cinematographer's visual signature. It also increases flexibility in colour grading, allowing a creative editor to really go to work on a video's colour palette. While all of Canon's Cinema EOS Cameras, most XA and XF camcorders and some mirrorless and DSLR models offer a variety of Log-based gamma curves designed to retain detail in both the darkest and brightest parts of your footage, Canon Log is capable of far more than this. Shooting video using Canon Log is about more than just maximising dynamic range.

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